figural

英

美

adj.  具有人物形象的，比喻的，借喻的

BNC.30558 / COCA.20662

双语例句

• The second chapter points out the characteristic and failure in figural portrayal through the analysis on the traits of the reformers that have the most artistic characters.
  第二章通过对改革题材小说中最富有艺术光彩的改革者形象特质的分析，指出此类小说在人物形象塑造上的特点与不足。
• The Mountain of Cuckoo was a typical work in modern Beijing Opera with the figural music theme used skillful.
  《杜鹃山》是现代京剧当中人物音乐主题用得比较成熟的代表剧目。
• Face the artistic current situation of the contemporary China's Brush Stroke Figural Painting, discuss its social background and culture linguistic context produced, and it is very essential to put it in macroscopical course of contemporary China's plural cultural development and examine closely.
  正视当代中国工笔人物画的艺术现状，研讨其产生的社会背景和文化语境，并将其置于当代中国多元文化发展的宏观过程中进行审视是十分必要的。
• In the new period, research on Ling Shuhua has got into position, and made great achievement in figural image and artistic style.
  在新时期，凌叔华研究进入了新的阶段，在人物形象和艺术风格研究等方面取得了突出成就。
• "Figural: of, relating to, consisting of, or forming a pictorial composition or design of human or animal figures."
  “具有人或动物的形象的：属于、关于或形成人物或动物的组织或形象的，或由此构成的。”
• In addition, a variety of cognitive abilities in children and adolescents are growing, figural reasoning just be able to adapt to different age children.
  另外，儿童青少年的各种认知能力是在不断发展的，图形推理恰好能够适应于不同年龄段的儿童。
• Among it, the first section defines that the 'idol' is a figural symbol of personality, which is self-elected, self-identified, and extremely respected, admired, appreciated, loved and yearned towards by individual or collectivity.
  其中，第一章揭示了偶像是个体或群体自我选择和认同并受到极度尊敬、钦佩或极其欣赏、喜欢和向往的形象化的人格符号。
• As an important part of the Chinese Painting and the Chinese Culture, Brush Stroke Figural Painting definitely affected by the times of Cultural background during its long term development.
  工笔人物画作为中国画乃至中国文化的重要组成部分，在其走过的漫长旅途中，必将受到所处时代的文化背景的影响。
• Chinese characters of different from other words an important feature is the unity of figural righteousness.
  汉字不同于其他文字的一个重要特点是音形义的统一。
• The second part of this article deals with how the cultural identity was represented in German New Expressionism, including adopting figural language, responding to German historian, cultural, and political problems, and using motives from German history and myth, etc.
  文章第二部分具体分析了文化身份在新表现主义艺术中的体现，包括采用具象语言，关注德国历史、文化和现实政治问题，取材于德国历史和神话等等。